Monday, March 14, 2011

Sixth Blog Post

Andres Serrano SHIT (Bull Shit), 2008 Yvonne Lambert Gallery

Inez van Lamsweerde  ME #5 1998, Cibachrome mounted to plexiglas, 49 x 38 inches; 124.5 x 96.5 cm

Chapter 4 in our photography book was about the human subject and looking at us as the subject with the theory from the beginning of photography to now. I choose Andres Serrano and Inez van Lamsweerde as the two photographers that I wanted to compare. They both commenting on subjects that have to deal with being human. Serrano's work may not be portraying a human in his THE TRIUMPH OF SHIT series of photographs but he is looking at social taboos that we as a society come to agree a pone. Even by having other animals in comparison is commenting on things such as evolution and our own place on this Earth that we are still animals and wouldn't even be able to separate us from the animals. As for Lamsweerde when looking at the image of the two girls ideas of human altercation ideas begin to pop up. Human modification or genetic oddity's is very human. As technologies advance we are trying to strive for a perfect human and standard that we could achieve.

Fifth Blog Post

Situ Studio (2005–present), Brooklyn. Rendering of reOrder, an installation to open in the Great Hall of the Brooklyn Museum in 2011
This is simply amazing the sheer scale of these sculptures related to the people below. I wonder what is like to be able to walk under one 


 Glenn Ligon (b. 1960), Rückenfigur, 2009. Neon and paint, 24 × 145 in. (61 × 368.3 cm). Whitney Museum of American Art, New York; purchase with funds from the Paint and Sculpture Committee  T.2010.71


This image is great it has typography, neon and paint what more can you ask for it is simple yet I keep staring at it. 

David Zwirner Proofs and Refutations 

All I can say is this is an example for me of why I do what I do. I tend to lean to the more creative side of my brain then to the more analytical portion. 
The next three images are some more from my night photography shoot of the front of houses.