Thursday, February 24, 2011

Forth Blog Post

Sam Taylor-Wood (British, b. 1967). Ghosts VI, 2008. Chromogenic photograph, 43 x 55½ in. (109.2 x 141 cm). © The artist, courtesy White Cube, London 

I liked this photo because I enjoy scenery photos but with this photo I was really drawn to the colors. Having the colors muted gives a calmness feel. I also liked the storm cloud it gives it's presence by it's shadow on the ground. 
Gilbert and George The Red Sculpture, 1975 Chromgenic color print with text, 9,1/8 x 13,7/8 in, The Museum of Modern Art, New York, Art & Project/Depot VBVR Gift 


This is not the photo on the website but it the same subject matter. I'm drawn to this image because I enjoy Gilbert and George's art work personally, but this photo documents one of their performances. 
 
Phantom, 1971. Phosphorous pigmented polyurethane 102 x 420 x 96 inches 259.1 x 1066.8 x 243.8 centimeters Installation at Union Art Gallery, Kansas State University, Manhattan, Kansas February 3-7, 1971 Courtesy Paula Cooper Gallery, New York 
 
When I saw this photo I thought about toxic slim or this toy that I use to play with when I was younger. So to me I enjoyed this photo because it brought up these past memories and it's interesting to see this sculpture that has this fluid gravity feel and look. 
 
So with my three images that I am going to show all have to do with my new project in which I took these photos because I was fascinated by the front porches of peoples houses when I decided to get lost in a neighborhood I've never been in. 

Matt Mondragon Untitled, 2011  

Matt Mondragon Untitled, 2011 
Matt Mondragon Untitled, 2011

Wednesday, February 16, 2011

Third Blog Post

Luis Camnitzer, Landscape as an Attitude, 1979 black and white photography 28.1 x 35.5 cm 

I like the idea of the photograph by using the face as a landscape, it makes me want to know what the meaning of this image is if there is one. 

Marcia Resnick, Kipper Kids, 1980
With this image I think I was drawn to the humor of the photograph and got the sense of mischievous behavior. Then reading the title of the show bad boys- punks, poets and provocateurs said it all. 

Todd Hido, 9545-c, 2010 Chromogenic print 20 x 24 in edition of 10
With entire series of photos the lighting and color that the photos have are just amazing the natural lighting is what drew me in even though the exhibition just ended I think it would be a shame not to mention this. 

Matt Mondragon untitled, 2011
These photos were taken on my second visit to the recording studio I wanted to capture more of the people and what they were doing when they weren't recording. 
Matt Mondragon, untitled, 2011
This was another new photo of my second visit at the recording studio I just liked the composition of the photo. 

Matt Mondragon untitled, 2011
With this image it was more of just experimenting with lighting sparked by the conversation of studio lighting and finding other ways to do this.

Monday, February 14, 2011

Second Blog Post

Carlos Cruz-Diez: Color in Space and Time

Just seeing the colors of this image drew me to look into the exhibition but always looking at how lighting and color in my own work is something I try to focus on. 

nadav kander Chongqing XI, 2007

Looking at all the photos in his exhibition the overwhelming sense of scale of people compared to the rest of the picture is truly amazing.

Stillborn, 2010, Ink jet print, Courtesy Carl Hammer Gallery, Chicago and Yancey Richardson Gallery, New York

This image grabbed my attention because of the juxtaposition of this space aged figures with the natural landscape. 

Matt Mondragon untitled, 2011

The next three images are the most recent in images I shot. This photo for me is simply stating my love for punk music and the scene of it. 

Matt Mondragon untitled, 2011
I wanted to show the people that were involved in the recording process from the people in the band to the person recording. 

Matt Mondragon untitled, 2011
 
I wanted to get a "action shot" and was pleased with the light that was hitting off the symbols and gave a very calm feeling before the noise. 


Tuesday, February 8, 2011

First Blog post

Walker Evans. Posed Portraits, New York, 1932

I was attracted to this image because of knowing Walker Evans work.

Harry Callahan, Atlanta, 1984; dye transfer print; Collection SFMOMA, San Francisco Museum of Modern Art, Accessions Committee Fund purchase; © Estate of Harry Callahan

I think the idea about voyeurism is interesting because it now it seems to be very clear on how easy it is to document people without knowing it with the advances of technology. 

Sharon Hayes, In the Near Future, 2009. Slide-projection installation: 13 actions, 13 projections, dimensions variable, edition 1/3. Solomon R. Guggenheim Museum, New York, Purchased with funds contributed by the Photography Committee and Manuel de Santaren 2010.12. Image courtesy the artist and Tanya Leighton Gallery, Berlin 
 
I think the idea of language within photos is such a powerful thing and just glancing at this photo made me stop and grab my attention. 

Matt Mondragon Printfits, 2010 
 
I picked this photo because it was a one of a few self portraits that I started to take of myself and starting to use different light sources.

Matt Mondragon  fence, 2010

I choose this because of the simplicity of the image but it still contains a lot of information. 


Matt Mondragon untitled, 2010
 
This was just another look at trying different lighting sources.